The Horizons series of Sze Tsung Leong have enabled experiencing the transformation or materialization of abstract or substantial things. By demonstrating that the art materializes non-substantial objects while, at the same time, stating non-existence of unquestioned existences, the role of neutralizing people’s general notion is fulfilled in my new perspective.
This work of his shows the process of materialization which gives form to the horizon on a flat surface, which exists in concept only since it exists but cannot actually be reached like the end of rainbow in fairytales with a pot of gold which cannot actually be touched or reached. Realizing that the horizon is, after all, just our concept by looking at the shape of simple horizon is another aspect of surprise and enjoyment that we can gain from the medium referred to as art.
In addition, he attempted to include numerous changes by people on the horizon. In the context of the changing horizon and changes in our concepts and ideas, could it be that how the substantial changes of this world, triggered not by reality but by our thoughts, take place is perhaps what he tried to expose to us?
LIGHT
